18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Repair wardrobe, street and light on frames that are almost right. One change per job, 21 credits, originals preserved.
Per-job credit pricing is shown before you confirm. An edit produces a new piece; your original stays untouched in your account.
Every route produces frames that are nearly right. The pose holds. The light is true. The outfit belongs to another pack. The editor is the depot where those frames are put right. State the change in plain words — wardrobe, street, light, a single detail — and the frame is re-rendered with the change made and everything else left standing. Editing costs 21 credits a job, shown before you confirm, and the original is never touched: it waits in your account beside its repair.
Strong bones, wrong details. A frame whose composition has failed costs more to repair than to remake, and the depot is not where pride should be spent.
A single instruction keeps the rest of the frame still and the fare predictable. Three changes at once is not an edit; it is a regeneration wearing an edit’s price.
Original and repair rest side by side. Ship the winner. The other costs nothing further and asks nothing of you.
The same pose dressed for three different packs. The quickest multiplication a catalogue knows.
Harbour deck to old-street stairway to bare studio wall, without moving the woman or the light that holds her.
Dusk to neon night, flat to dramatic — a frame re-graded to sit quietly among the set it is joining.
“Change the emerald slip to crimson satin. Keep the pose, the hair and the harbour light exactly as they are.”
The change is named, and everything else is explicitly protected. The words “keep exactly” are cheap insurance, and they work.
“Move the scene to a marble hotel bathroom in warm mirror light. The subject and her pose do not change.”
One environment, moved once. A new street, a new outfit and a new pose in a single job is a new photograph, and should be briefed as one.
| Situation | The better move |
|---|---|
| Pose and light are right; details are wrong | Edit — it keeps the bones and costs less |
| The composition itself has missed | Remake the frame with a corrected brief |
| One keeper, three packs | Edit three times from the one keeper |
21 credits per job, shown before you confirm. Repairing a keeper is normally cheaper than remaking and re-judging a whole set.
No. The repair is a new frame. The original rests untouched, and both remain yours.
One. Stacked changes unsettle the very parts you asked to keep, and the frame drifts off route.
Yes — your own photographs, under the same consent rules as every upload in the studio.
Narrow the instruction, and name what must stay identical. Vagueness is the usual cause of a drifting repair.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
Open the generator