18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Text-to-video and image-to-video that board from your stills. One movement per clip; fare by duration and resolution, shown before you confirm.
Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
Video is the expensive end of the route, so it is ridden deliberately rather than wandered into. The reliable order runs like this: a still first — on character, already judged at the image stop — and then a single movement laid over it. Or, for a scene that exists nowhere yet, a text brief carrying the same character card as your stills. Pricing follows duration and resolution, is calculated on the job itself, and is shown in full before you confirm. A failed render refunds itself.
Image-to-video inherits the woman, the outfit and the street from the first frame. It is the cheapest consistency on the whole route.
A turn toward the harbour light. A slow walk along the railing. One movement, camera held steady. A choreographed routine smears; a single gesture renders clean and loops well.
Decide where the clip will live before rendering it. A teaser and a store piece run to different measures, and rendering the maximum of everything is how budgets quietly double.
The strongest frame of the week, given a few seconds of life, drawing viewers toward the full set.
One clean repeating gesture that still reads at thumbnail size after a platform has compressed it.
Longer takes briefed from the same card as the stills they sit beside, so nothing feels cast twice.
“She turns slowly toward the harbour lights and glances back over one shoulder, hair lifting a little in the breeze, camera still.”
One movement for the subject, none for the camera. The first frame already decided everything else, so the brief only directs motion.
“Fictional 32-year-old woman, honey-brown blowout with a curtain fringe, emerald satin slip dress, walking slowly along a neon-lit harbour promenade at night, reflections on wet stone, unhurried, cinematic.”
The character card rides into the clip brief unchanged, so the woman in motion is the woman in the stills.
| Lever | Effect on fare | Practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds |
| Resolution | Higher costs more | Render at the destination’s measure; upscale a winner later |
| Retries | Each render is a job | Fix the brief or the first frame before rendering again |
By duration and resolution, calculated on the job and shown before you confirm. Nothing is charged in the dark, and a failed render refunds automatically.
Image-to-video for series work — the first frame carries the character with it. Text-to-video is for standalone scenes and first experiments.
Yes, by two habits: start from series stills, and carry the character card into text briefs word for word.
Usually too much is asked of it — several movements, a roaming camera, a crowded street. One movement, a steady camera, room to breathe: that is the pattern that holds.
No. Clips rest in your account until you publish or download them. Nothing is posted on your behalf.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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